BORN: 1955 Birmingham, Alabama
EDUCATION:
1999 Honorary Doctorate, Otis Art Institute, Los Angeles, CA
1978 Otis Art Institute, Los Angeles, BFA
GRANTS:
2004 Distinguished Artist Fellowship and Stillwater Foundation
Grant, College of Fine Arts,
University
of Austin
1997 MacArthur Fellowship, T. Mac Arthur
Foundation of Chicago
Herb Alpert Award
in the Arts, Cal Arts, Valencia, CA (Visual Arts)
1992 Illinois Arts Council Fellowship (Painting)
1991 N.E.A. Visual Art Fellowship (Painting)
Illinois Art Council
Fellowship (Painting)
1990 Art Matters Inc. Fellowship (Painting)
1985 Artist-In-Residence Fellowship, Studio
Museum in Harlem, New York, NY
SOLO EXHIBITIONS:
2006 "Rhythm Master", Mass Moca, Boston, MA
“Along the Way”, Modern Art Oxford, England
“Along the Way”, The New Art Gallery, Walsall, England
“Along the Way”, Baltic, Newcastle, England
2005 “Along the Way”, Camden Arts Centre, London, England
"One True Thing: Meditations on Black Aesthetics",
Birmingham Museum of Art, AL
2004 “Color Blind”, Koplin Del
Rio Gallery, Los Angeles, CA
2003-04 "One True Thing: Meditations on
Black Aesthetics," MCA, Chicago, IL
Traveling to: Miami Art Museum, FL; Baltimore Museum
of Art, MD;
The Studio Museum in Harlem, NY.
2002 "Some Momento's," Greg Kucera
Gallery, Seattle, WA
2000 Cheekwood Museum of Art, Nashville, TN
1999 Jack Shainman Gallery, New York, NY
1998 "Kerry James Marshall: Mementos",
The Renaissance Society, University of Chicago, IL,
Traveling to: Brooklyn Museum of Art, Brooklyn,
NY; SF MOMA;
Institute of Contemporary Art, Boston, MA; Santa Monica
Museum of Art CA;
Boise Art Museum, Boise, ID
"A Narrative
of Everyday", Orlando Museum of Art, Orlando, FL
1997 "1980's Unique Woodcut Prints",
Koplin Gallery, West Hollywood, CA
"Kerry James
Marshall: Looking Back", San Diego State University Art
Gallery, San Diego, CA
“Recent Paintings
and Drawings,” Addison Gallery, Andover Academy, Andover,
MA
1995 "The Garden Project", Jack Shainman
Gallery, New York, NY
Greg Kucera Gallery,
Seattle, WA
1994 "Telling Stories: Selected Paintings",
Traveling Exhibition, Nov. 1994 to July 1995,
The Cleveland
Center for Contemporary Art, Cleveland, OH; Johnson County
Community
College, Overland Park, KS; University of Missouri, St. Louis,
MO;
Pittsburgh
Center for the Arts, Pittsburgh, PA (catalog)
“Different Visions:
Joe Edward Grant & Kerry James Marshall”, Saddleback
College Art Gallery,
Mission Viejo, CA
1993 “The Lost Boys”, Koplin Gallery,
Santa Monica, CA
Jack Shainman
Gallery, New York, NY
1992 "Terra Incognita: Works by Kerry
James Marshall and Santiago Vaca", Chicago Cultural Center,
Chicago,
IL
1991 Koplin Gallery, Santa Monica, CA
1986 Studio Museum in Harlem, Artist in Resident
Exhibition, Harlem, New York, NY
1985 Koplin Gallery, Los Angeles, CA
1984 Pepperdine University Art Gallery, Malibu,
CA
1983 James Turcotte Gallery, Los Angeles, CA
1981 L.A. Southwest College, Los Angeles, CA
GROUP EXHIBITIONS:
2007 “Portraiture Now: Framing Memory”, Smithsonian Center for American Art and Portraiture, Washington D.C.
"Documenta 12”, Kassel, Germany
“Cult Fiction Art and Comics”, organized by Hayward Gallery, UK and traveling to the following venues: New Art Gallery, Walsall, Nottingham Castle, Leeds City Art Gallery, Aberystwyth Art Gallery, Tullie House, Carlisle
2006 “Drawing as Process in Contemporary Art”, smart Museum of Art, University of Chicago, IL
“Twice Drawn”, Tang Teaching Museum, Saratoga Springs, NY
“A Historic Occasion”, MASS MOCA, North Adams, MA
“Otis: Nine Decades of Los Angeles Art Historical Survey of Fine Art by Alumni”,
Los Angeles, CA
“Black Panther Rank And File”, Yerba Buena Center for the Arts, San Francisco, CA
“COMPLICIT! Contemporary American Art and Mass Culture”, University of Virginia Art Museum, Charlottesville, VA
2005 “Art From the Collections of Loyola Marymount University and Law School”, Loyola Marymount University, Los Angeles, CA
“Very Early Pictures”, Luckman Gallery, Cal State, Los Angeles, CA
“The Whole World Is Rotten”, Jack Shainman Gallery, New York, NY
“The Other Mainstream”, Arizona State University Art Museum, Tempe, AZ
2004 “The Undiscovered Country”,
UCLA Hammer Museum, Los Angeles, CA
“Drawings
VII”, Koplin Del Rio Gallery, West Hollywood, CA
“Hair
Stories”, Scottsdale Museum of Contemporary Art, Arizona,
Traveling to:Clark Atlanta University Art
Galleries, Chicago Cultural Center,
Sidney R. Yates Gallery, Chicago, IL
“Splat
Boom Pow!”, Contemporary Arts Museum, Houston
Traveling to: Institute of Contemporary
Arts, Boston
Wexner Center
for the Arts, Columbus, Ohio
2003 “Celebrating & Investigations:
African American Artists in Kansas city Collections”,
The
Kansas City Jewish Museum/The Epsten Gallery at Village Shalom,
Overland Park, KS.
"American
Art Today: Faces and Figures", The Art Museum at Florida
International University
“Delays
and Revolutions” at “Venice Biennale”, Italian
Pavilion,Venice, Italy.
"Comic
Release: Negotiating Identity for a New Generation," traveling
to:
Carnegie Mellon
University, Pittsburgh, PA
New Orleans
Contemporary Arts Center, New Orleans, LA
University
of North Texas, Denton, TX
Polk Museum
of Art, Lakeland, FL
"American
Art Today: Faces and Figures," Art Museum at Florida Int.
Univ., Miami, FL
"Splat
Boom Pow: The Influence of Comics in Contemporary Art,"
Contemporary Art Museum Houston, TX
"Retrospectacle:
25 Years of Collecting Modern and Cont. Art," DAM, Denver,
CO
2002 "Drawings VI," Koplin
Gallery, Los Angeles, CA
"New Visions
of the American Heartland: Weisman Art Museum, Minneapolis,
MN
"Perceptual
Experience: Contemp. American Figure Drawings," Frye Art
Museum, Seattle, WA
"Rhona
Hoffman Gallery, Chicago, IL
"Plotting:
An Exhibition of Artist Studies,: Carrie Secrist Gallery, Chicago,
IL
2001 "I Love NY" Benefit Exhibition,
Jack Shainmen Gallery, New York, NY
"Imprint,"
Philadelphia Print Center, Philadelphia, PA
"Im Not
Here: Constructing Identity at the Turn of the Century,"
Susquehanna Art Museum,
Harrisburg, PA
"Points
of Departure II," San Fransisco Museum of Modern A rt,
San Fransisco, CA
"The Big
Show-'Healing,'" NICC, Antwerpen, Belgium
"Illusions
of Eden: Visions of the American Heartland," Madison Art
Center, Madison, WI
"Present
Compose," The Ottawa Art Gallery, Ottawa, Ontario, Canada
2000 “Drawings V,” Koplin Galllery,
Los Angeles, CA
“Illusions
of Eden: Visions of the American Heartland,” CMA, Columbus,
OH
Travelling to: Museum of Modern Art,
Ludwig Foundatio, Vienna, Austria;
Ludwig Museum/ Museum of Contemporary
Art, Budapest, Hungary;
Madison Art Center, Madison, WI;
Washington Pavilion of Arts & Science,
Sioux Falls, SD
"ID/Y2K:
Identity at the Millennium," Castle Gallery, College of
Rochelle, NY, NY
"Virtual
Encounters," on-line exhibition, MCA, Chicago, IL
"The Figure:
Another Side of Modernism," Newhouse Center at Snug Harbor
Cultural Center
Staten Island, NY
"Passages:
Contemporary Art in Transition," Chicago Cultural Center,
Chicago, IL & Miami Art
Museum, Miami, FL
"Age of
Influence: Reflections in the Mirror of American Culture",
Museum of Cont. Art, Chicago, IL
"Representing":
A Show of Identities," Parrish Art Museum, Southampton,
NY
"Beyond
the Press: Innovations in Print," Hand Workshop Art Center,
Richmond, VA
1999 "I'm Not Here: Constructing
Identity at the Turn of the Century," Susquehanna Art Museum,
Harrisburg, PA
“Carnegie
International 1999/2000,” Carnegie Museum of Art, Pittsburgh,
PA
“Other
Narratives: Fifteen Years,” Contemporary Arts Museum, Houston,
TX
“Trouble
Spot: Painting,” Museum of Contemporary Art Antwerp (MUHKA),
Antwerp,
Belgium, curated by Luc Tuymans INIT-Kunst Halle, Berlin,
Germany
"Re-Righting
History: Counternarratives by Contemporary African American
Artists", Katonah
Museum of Art, Katonah, NY, curated by Barbara Bloemink
“Beyond
the Veil: African American Artists and their Art at Century’s
End,” Cornell Fine Arts
Museum of Rollins College, Winter Park, FL
“Collectors
Collect Contemporary: 1990-1999,” Institute of Contemporary
Art, Boston, MA
1998 "Drawings IV", Koplin Gallery,
Los Angeles, CA
“Postcards
from Black America: Contemporary African American Art,”
de Beyerd, Breda,
Amsterdam, Traveling to: MUHKA, Antwerp, Belgium,
Frans Hals Museum, Haarlem, Holland
“Interpreting”
The Rotunda Gallery, Brooklyn, NY
“After
Eden: Garden Varieties in Contemporary Art,” Middlebury
College Museum of Art,
Middlebury, VT
“The Corcoran
Collects: Selections from the Permanent Collection,”
Corcoran Gallery of Art, Washington, D.C.
1997 “Male,” curated by Vince
Aletti, Wessel + O’Connor Gallery, New York, NY
“Heart,
Mind, Body, Soul: American Art in the 1990s,”
The Whitney Museum of Art, New York, NY, Curated
by Thelma Golden
"Contemporary
Allegories", LA Municipal Art Gallery, Barnsdall Art Park,
Hollywood, CA
“Documenta
X”, Kassel, Germany
“The Whitney
Biennial”, Whitney Museum of American Art, New York, NY
“Civil
Progress: Life in Black America,” Greg Kucera Gallery,
Seattle, WA
1996 “Art in Chicago, 1945-1995”,
Museum of Contemporary Art, Chicago, IL
"Inaugural
Group Exhibition", Koplin Gallery, West Hollywood, CA
“No Doubt:
African American Art of the 90’s,” Aldrich Museum
of Cont. Art, Ridgefield, CT
“Real:
Figurative Narratives in Cont. African-American Art”, Bass
Mus. of Art,
Miami Beach, FL
"American
Academy Invitational Exhibition of Painting & Sculpture",
American Academy of Arts & Letters, New York,
NY
“Burning
Issues: Contemporary African-American Art,” Museum of Art,
Fort Lauderdale, FL
“Drawing
in Chicago Now,” Columbia College Art Gallery, Chicago,
IL
“Second
Sight: Printmaking in Chicago 1935-1995,” Mary Leigh Block
Gallery,
Northwestern University, Evanston, IL
"Figurative
Impulses", Evanston Art Center, Evanston, IL
1995 "Korrespondenzen and Correspondences",
The Chicago Cultural Center, Chicago, IL,
curated by Gregory Knight and Judith Rossi Kirshner
"About
Place: Recent Art of the Americas", Art Institute of Chicago,
Chicago, IL,
curated by Madeleine Grynstein (catalog)
"In the
Black", Luckman Fine Arts Gallery, California State University
LA, CA (catalog)
"Art at
the Edge - Social Turf", High Mus. of Art, Atlanta , GA,
curator: Rebecca Dimling Cochran
“Under
Construction: Rethinking Images of Identity”, Armory Center,
Pasadena, CA
1994 "Korrespondenzen and Correspondences",
Berlinische Galerie, Berlin, Germany
"Bridges
and Boundaries, Chicago Crossings", Spertus Museum of Judaica,
Chicago, IL
"In the
Black," Irvine Fine Arts Center, Irvine, CA, (catalog)
"Up the
Establishment", curated by Dan Cameron for ICI, Sonnabend
Gallery, NY, NY
"Different
Visions," Saddleback College Art Gallery, Mission Viejo,
CA
1993 “My Culture Our Culture”,
Laguna Art Museum, Laguna Beach, CA
“Drawings
III”, Koplin Gallery, Santa Monica, CA
"Daylight
Fantasy - The Night's Dark Side", Riverside Art Museum,
Riverside, CA
“Conversations”,
Museum of Modern Art, New York, NY
“Chicago
Curators Choose Chicago Artists”, Zolla/Lieberman Gallery,
Inc., Chicago, IL
“43rd
Biennial Exhibition of Contemporary American Painting”,
Corcoran Gallery of Art,
Washington, D.C.
"Markets
of Resistance", White Columns, New York, NY
"Man,
Myth, & Masculinity", Ledisflam, New York, NY
“The Studio
Museum in Harlem: 25 Years of African-American Art”, Paine
Weber Art Gallery,
New York, NY
1992 “Drawings II”, Koplin
Gallery, Santa Monica, CA
“The City
of Santa Monica Art Bank Collection”, Santa Monica Museum
of Art, CA
"National
Drawing Invitational", Arkansas Art Center, Little Rock,
AR
"Social
Figuration", San Diego State University, San Diego, CA
"Basically
Black & White", Art Alliance Gallery, Riverside, CA
"God's
Violent World: Artists Respond", Elmhurst College, Elmhurst,
IL
"Dreams
& Demons: Modern Mythic Visions", Evanston Arts Center,
Evanston, IL
1991 “God’s Violent World: Artists
Respond,” Elmhurst College, Elmhurst, IL
"Drawings",
Koplin Gallery, Santa Monica, CA
1987 “1987 Invitational”, Cerritos
College, Cerritos, CA
1986 "The Flower Show", Design Center,
Los Angeles, CA
"Joining
Forces," Gallery 1199, New York, NY
"Home
for the Holidays", Koplin Gallery, Los Angeles, CA
"Two Person
Group Show", Studio Museum at Harlem, New York, NY
"Only
Los Angeles", Los Angeles Municipal Art Gallery, Los Angeles,
CA
1985 "Fusion '85", Jewish Federation
Council Gallery, Los Angeles, CA
"Collage",
Galleria Ocassa, Los Angeles, CA
"Common
Ground", Brockman Gallery, Los Angeles, CA
"Purchase
Show", Santa Monica Art bank, Santa Monica, CA
"The Spiritual
Eye", Loyola Law School Gallery, Los Angeles, CA
"The Floor
Show", Los Angeles Contemporary Exhibitions(LACE), Los
Angeles, CA
"Fifth
Annual Afro-American Artists Exhibition", Atlanta Life
Insurance Co., Atlanta, GA
1984 James Turcotte Gallery, Los Angeles, CA
"Faculty
Exhibition", Los Angeles Southwest College Art Gallery,
Los Angeles, CA
"Olympiad,
Summer '84", Koplin Gallery, Los Angeles, CA
"The Finals
in Painting & Sculpture", Jan Baum Gallery, Los Angeles,
CA
"Environs
3", Loyola Law School Gallery, Los Angeles, CA
"Artist's
Call", Thinking Eye Gallery, Los Angeles, CA
"Seventeen
Self-Portraits by L.A. Artists", Occidental College, Los
Angeles, CA
"Perspectives
on Black Art," California State University at Los Angeles,
Los Angeles, CA
1983 Roberts Art Gallery, Santa Monica,
CA
1980 Jan Baum Gallery, Los Angeles, CA
"Six Artists
from L.A.", Cal State University, Dominguez Hills, CA
"3 Artists",
Mt. St. Mary's College, Los Angeles, CA
1979 "Newcomers 1979", Municipal
Art Gallery, Los Angeles, CA
"Certain
Attitudes on Paper", Pearl C. Wood Gallery, Los Angeles,
CA
SELECTED BIBLIOGRAPHY:
2004 King, Rachel, “The Shock of the ‘Do”,
ArtNews, May, p. 46
Cotter, Holland,
“Black’ Comes in Many Shadings”, NY Times,
Weekend, Aug. 13, B27
Dixon, Glenn,
“True Thing’: Braking Out of the Frame”, Washington
Post, Style, July 20, C1
McNatt, Glenn,
“A tour de force of America’s tragic contradictions”,
The Sun, June 20, 2F
Biro, Matthew,
“Representing Blackness”, Art Papers, March/April,
pgs. 34-39
Ollman, Leah,
“Heirlooms’ opens a racial dialogue”, LA Times,
Feb. 6
Haithman, Diane,
“Crossing Generations”, LA Times, Jan. 19
Workman, Michael,
“Kerry James Marshall”, Flash Art, Vol 37, No. 234,
Jan./Feb., p.111
2003 Tapp, Mara, “Visible Man”,
Chicago, Oct., pgs. 100-7, 136-7
Hawkins, Margaret,
“Chicago artist’s ethnicity colors MCA exhibit-
and that’s just the way he likes it”,
Chicago Sun-Times, Oct. 24
Connors, Thomas,
“Paint it black”, Chicago Social, Oct.
Wiens, Ann,
“Beauty with a Bite”, Chicago Collection, Fall/Winter
2002 "Imprint," catalogue
for the public art project in Philadelphia, The Print Center
"Plotting,"
catalogue for the exhibition at Carrie Secrist Gallery, Chicago,
IL
Sporre, Dennis
J., The Creative Impulse: An Introduction to the Arts, 6th ed.,
Prentice-Hall, Inc., NJ
2001 Wang, Dan S. "Kerry James Marshall:
Agent of Change,"
New Art Examiner, Feb.y, p.26
"Art21
Art in the Twenty-First Century," PBS, September 21, 2001
Steams, Robert,
ed., Illusions of Eden: Visions of the American Heartland,
Madison Art Center, WI, pp. 216-227
2000 Stearns, Robert, "Illusions
of Eden: Visions of the American Heartland,
exhibition catalog. Columbus, OH
"A Thousand
Words: Kerry James Marshall Talks About Rhythm Master,"
Artforum, Summer 2000, p.149
Dunlop, Jennifer,
“Kerry James Marshall,” Art Issues, March/April
Roth, Charlene,
“Kerry James Marshall at the Santa Monica Museum of Art,”
Artweek, Feb.
Frank, Peter,
“Kerry James Marshall,” LA Weekly, February 18-24
Knight, Christopher,
“Mementos’ of the Civil Rights Movement,”
Los Angeles Times, Jan. 4
Fresh Cream,
10 curators, 100 artists, curated by Octavio Zaya, NY, Phaidon
Press
Harris, Juliet,
ed, The International Review of African American Art, vol. 16,
no. 4
Myer, James,
"Impure Thoughts: The Art of Sam Durant," Artforum,
April, p.113
Grabner, Michelle,
"Trouble Spot Painting," frieze, issue 50, p.107
Los Angeles
Times, Wednesday, Jan. 5
Siegel, Katy,
"1999 Carnegie International," Artforum, Jan. 2000,
p. 105
"Artist
Joins in Students' Search for Their Identities," Southampton
Press, Jan. 3
1999 Leffingwell, Edward, “Kerry
James Marshall at Jack Shainman,”
Art in America, Dec., p.109
Glueck, Grace,
The New York Times, Friday, April 9, p.E40
Schwendener,
Martha, “Kerry James Marshall at Jack Shainman Gallery,”
Time Out NY,
April 8-15, p. 61
Clark, Marcia,
“ReVisioning of History at Katonah Museum,”
Scarsdale Record Review, April 9
Canning, Susan,
“Kerry James Marshall: Mementos,” Art Papers, March/April,
p. 53
Helfand, Glen,
“Mementos,” San Francisco Bay Guardian, Feb. 3
Hamlin, Jesse,
“Kerry James Marshall’s Banner Plan,” The SF
Sunday Examiner &
Chronicle, Jan. 31, pp. 1, 32
Helfand, Glen,
“Kerry James Marshall: Mementos,” Sidewalk San Francisco,
Jan. 25
Baker, Kenneth,
“Through the Past, Mournfully: Marshall’s Art Revisits
the Civil Rights Era,”
The San Francisco Chronicle, Jan. 23, p. E1
Bishop, Philip,
“His Art Look Life in the Eye,” The Orlando Sentinel,
Jan. 17, p.F1, 10
Erickson, Karl,
“Spotlight: Kerry James Marshall,” Flash Art, Jan./Feb.,
pp. 92-95
Phillips, Lisa,
The American Century: Art & Culture 1950-2000, p.342
Drohojowska-Philp,
Hunter "Finding an Eden Among the Everyday,"
LA Times, Sun., Dec.12, p.70
Smith, Roberta,
"When Context Outshines Content in American Art,"
The NY Times,
Friday, Sept. 24, Section E, p. E31 and E35
Smith, Roberta,
"Safe Among Seamless Shadows," The New York Times,
Wed.,
Nov. 17, Section B, p.B1 and B6
Johnson, Patricia
C., "Every Picture tells A Story," Houston Chronicle,
Wed., June 2,
Section D, p. D1-D3
"Working
Proof," Work on Paper, Sept.-Oct., p. 54
Dewan, Shaila,
"Too Much for Words," Houston Press, June 10-16, p.61-62
Kern, Lauren,
"Urban Adventures," Houston Press, May 13-19, p.41
"Kerry
James Marshall," Art on Paper, Sept.-Oct., p.53
1998 Wiens, Ann, “Kerry James Marshall,”
New Art Examiner, Sept.
Snodgrass,
Susan, “Heroes and Martyrs,” Art in America, Nov.
Cotter, Holland,
“In Civil Rights Ferment, A conflicted Nostalgia,”
The NY Times, Oct. 2, p. E38
Turner, Grady,
“Kerry James Marshall at the Brooklyn Museum of Art,”
Review, Oct. 15, p. 23-24
Camhi, Leslie,
“Black and Blue: Kerry James Marshall at the Brooklyn Museum
of Art,”
Village Voice, October 13, p. 137
Rush, Michael,
“Kerry James Marshall at the Brooklyn Museum of Art,”
Review, Oct. 1, pp. 15-16
Kirshner, Judith
Russi, "Kerry James Marshall: Renaissance Society
at the University of Chicago", Artforum, October
Schmerier,
Sarah, “Eyes on the Prize: Kerry James Marshall Takes a
Hard Look at America’s
Struggle Over Race,” New York Magazine, September
24-October 1, p. 61
Brockington,
Horace, “Kerry James Marshall,” New York Arts Magazine,
October, p.21
New York Magazine,
September 21 (reproduction of Den Mother)
Schwabsky,
Barry, “Mementos of a Moment,” The New York Times,
September 6, p.25
Artner, Alan
G., "Broader Canvas, Painter Kerry James Marshall if Finding
New Ways
To Say What He Wants To Say", Chicago Tribune,
May 3
Camper, Fred,
"Painter Kerry James Marshall Rediscovers The Civil Rights
Era
in the Living Rooms of the Black Middle Class,
Reader, May 8
Holg, Garrett,
"Stuff Your Eyes With Wonder", Artnews, March, 1998
Sweet, Kimberly,
"Mourning in America," University of Chicago Magazine,
April, p.26-28
Osborne, Catherine,
"Kerry James Marshall," Parachute, v.91, Summer, p.19-21
Van Driel,
Anne, "Werken Die Het Collectieve Geheugen Aanboren,"
De Volkskrant, June 6
Molesworth,
Helen, "Project America: Kerry James Marshall," Frieze,
May, p.72-75
Pieters, Din,
"Zwarte Amerikaan Volgt Moderne Trends," NRC HANDLESBLAD,
May 25
Camper, Fred,
"Open Houses: Painter Kerry James Marshall rediscovers
the Civil Rights Era in the living rooms of the
black middle class,
"Chicago Reader, May 8, p.1
1997 Ollman, Leah, "Engaging Prints",
Los Angeles Times, November 14
Duncan, Michael,
"Stuff Your Eyes with Wonder: Kerry James Marshall
& the Power of Paint", LA Weekly, August
1-7
Osnos, Evan,
"MacArthur Grant Complements Artist's Work", Chicago
Tribune, June
Knight, Christopher,
"Documenta X", Los Angeles Times, July 20
Adams, Brook,
"Report from New York: Turtle Derby", Art in America,
June
MacAdam, Barbara
A., Reveiws: Whitney Biennial, ARTnews, May
Pincus, Robert
L., "A Look Back", San Diego Tribune, April 24
Richard, Paul,
"A Warm Glow", The Washington Post, March 26
Peree, Rob,
"Uit Documenta Gelicht," Kunstb eeld, October, p.12-13
Taha, Hallma,
"Civil Progress: Life in Black America," catalogue
for exhibition,
Greg Kucera Gallery, Seattle, WA
Domberg, John,
"Art Above All (Documenta)," Art and Antiques, September,
p.96-97
1996 "Kerry James Marshall Enlarges
Issues Within Small Events,"
Chicago Tribune Magazine, Dec.
Knight, Christopher,
"Second City Art Expressed Anew", Los Angeles Times,
Nov. 16
Wasserman,
Tina, "Figurative Impulses", The New Art Examiner,
April
Bancroft, Shelley,
"Kerry James Marshall", Reflex Magazine, vol. 9, Issue
11, p. 19, Jan.
Gerst, Virginia,
"Artist in Our Town", Pioneer Press, Section B, Diversions,
p. 1, Jan. 11
Smith, Roberta,
"In Connecticut, the Old Meets the New," New York
Times, July 12
Turner, Elisa,
"Double-bill at the Bass bites with wit, insight,"
The Miami Herald, Dec. 21, p.1g
"African-American
Art of the 90's will fill Aldrich galleries this summer,"
Ridgefield Press, May 16
Hixson, Kathryn,
"Kathryn Hixon Visits Kerry James Marshall in Chicago,"
Trans, Sept.
Merkling, Frank,
" Art from the garden, in- your- face, on high," The
News-Times, May30
1995 LaBelle, Charles, " 'Under
Construction' at Armory Center for the Arts", Artweek,
March
Kimmelman,
Michael, "Kerry James Marshall : Jack Shainman",
NY Times, Sept. 29, Sec. 3, p. 18
Farr, Sheila,
"Black In Color", Seattle Weekly, October 18, visual
arts section, p. 72
Johnson, Ken,
"Back to the Garden", Art in America, Vol. 83, No.
11, Nov., p. 92-93
Kennedy, Lisa,
"Flower Power: Kerry James Marshall's Garden Project",
Village Voice, Oct. 10, p. 86
Schwabsky,
Barry, "Kerry James Marshall at Jack Shainman Gallery",
Art Forum, Vol. 34, no. 11, p. 92-93, November
Aukerman, Anastasia,
"Rising Stars under 40", ArtNews Special Issue, Summer,
p. 34
Keegan, Anne,
"An Artists Vision", Chicago Tribune, Tempo, Section
5, p. 1-2, Nov. 28
Editors Select,
"The Best of Chicago", Chicago Magazine, 25th Anniversary
Issue, Vol. 44,
no. 12, p. 105, December
Robinson, Walter,
"Marshall Arts", Interview, November, p. 86
Canning, Susan
M., "Kerry James Marshall :Jack Shainman Gallery",
The New Art Examiner, Nov
Hackett, Regina,
"Kerry Marshall at Greg Kucera", Seattle Post-Intelligence,
Oct. 13, p. 18
Barandiaran,
Maria Jose, "...In a Place Like This?", New Art Examiner,
p. 18-23, Sept., 1995
Goldberger,
Paul, "The Art of Choosing", New York Times Magazine,
Section 6, February 26
Meyers, Todd,
"Korrespondenzen/Correspondences", Parachute, Nov./Dec.
issue, p. 64-65
Camper, Fred,
"A Continent Divided", Chicago Reader, Vol. 24, no.
29, April 21, p. 36-37
Patterson,Tom,
"Two Artists Plumb Black Indentity", Winston-Salem
Journal,
Sec. E, p. 2, Aug. 27
Holg, Garret,
"Berlin Meets Chicago", Chicago Sun Times, Section
B, p. 12, April 23
Shearing, Graham,
"History Focus of 'Telling Stories", Pittsburgh Tribune,
Review, Sec.E p6, June 18
Thorson, Alice,
"Examining Blackness Through Art", The Kansas City
Star,
Jan. 29, Sec. 1, p. 1-5
Winfrey, Valerie,
"Art - Defining the Dialogue", Pitch Weekly:
News and Entertainment for Metro Kansas City, February
9-15, no. 352
Wilk, Deborah,
"On View: Korrespondenzen/Correspondences",
New Art Examiner, Summer, Vol.22, no. 10, Cover
Illustration,
"Art at
the Edge: Social Turf", (interview), exhibition publication,
April 21-August 6
"Artner,
Alan, "Correspondences Addresses the Artist If Not the
Viewer",
Chicago Tribune, Section 7, p. 76, May 5
Lombardi, Dominick
D., "No Doubt'- A must see at the Aldrich,"
The Bedford Pound Ridge Record Review, July 19
Zimmer, William,
"A New Generation Emerging On Often Irreverent Terms,"
NY Times, July 28
Hilts, Elizabeth,
"Symbols We Carry," Fairfield County Weekly, May 23-29
1994 Cullinan, Helen, "High Season for
Area Art Galleries", Plain Dealer, November 18
Litt, Steven,
"Blacks in Rare Focus", Plain Dealer, December 23
Green, Frank,
"Skin Deep", Cleveland City Paper, December
Cameron, Dan,
"Ode to Discernment", Frieze, Issue 14, p. 36-39,
January/February
Risatti, Howard,
"The Subject Matters", New Art Examiner, Vol. 21,
no. 8, p. 32, April
Edelman, Robert
G., "Report from Washington, D.C. - The Figure Returns",
Art in America,
Vol. 82, no. 3, p. 39-43, March
Risatti, Howard,
"43rd Biennial Corcoran Gallery of Art", Artforum,
Vol. 32, no. 7, p. 92, March
Kandel, Susan,
"Dry-Eyed Funeral Portraits," Los Angeles Times, section
f, p.6, April 24
Kapitanoff,
Nancy, "Finely Made 'Constructions' Gives Artists Images
a Sanctuary," LA Times,
April 25
Newhall, Edith,
" Kerry James Marshall," Art News, p.137,May
Smith, Roberta,
"Art in Review (Kerry Marshall)," The New York Times,
p.30, February 12
Yau, John,
"Kerry James Marshall," Art Forum, p.106, May
Russell, John,
"The Corcoran Gives New Meaning to Biennial," The
New York Times, Nov. 21
Westfall, Stephen,
"Kerry James Marshall," Art in America, p.132, October
Anderson, Isabel,
"Up From the Streets," Artwalk, April 22, Vol.24,
No.8
Goldman, Edward,
"The Paintings of Kerry James Marshall at the Koplin Gallery,"
Radio
Broadcast, KCRW, Monday, April 9
Smith, Roberta,
"The Living Arts: A Whitney Biennial with a Social Conscience
&
a Break From the Past, " The New York Times,
March 5
1993 Newhall, Edith, “Gallery Reviews”,
ARTnews, May
American Artist,
“Resurgence of the Figure”, (reproduction), October
Goldman, Edward,
“The Paintings of Kerry James Marshall at the Koplin Gallery”,
Radio Broadcast, KCRW, Monday, April 19
Kapitanoff,
Nancy, “Finely Made ‘Constructions’ Gives Artist’s
Images a ‘Sanctuary’”,
The Los Angeles Times, Sunday, April 25
Kandel, Susan,
“Dry-Eyed Funeral Portraits”, The Los Angeles Times,
Saturday, April 24
Smith, Roberta,
“The Living Arts: A Whitney Biennial with a Social Conscience
&
A Break from the Past”, The New York Times,
Friday, March 5
Smith, Roberta,
“Art in Review (Kerry Marshall)”, The New York Times,
Section C, p. 30, Feb. 12
Yau, John,
“Kerry James Marshall”, Artforum, Vol. 31, no. 9,
p. 106, May
Russell, John,
“The Corcoran Gives New Meaning to ‘Biennial’,”
The NY Times, Sec. 2, Nov.21
Westfall, Stephen,
"Kerry James Marshall", Art in America, Vol. 81, no.
10, p. 132, Oct.
Anderson, Isabel,
“Up From the Streets: Kerry James Marshall at Koplin Gallery”,
Artweek,
May 6, Vol. 24, no. 9, p. 33.
McCraken, David,
"Local Artists Shine in Summer Experiment",
Chicago Tribune, Sec. 7, p. 46, July 23
Anderson, Michael,
“Kerry James Marshall”, Art Issues, September/October
issue
1992 McWilliams, "Go Figure",
Washington City Paper, November 12
Tate, Greg
& Arthur Jafa, “La Venus Negra”, Artforum , Vol.
30, no. 5, p. 90, January
Dain Bosworth
Art Collection, Catalog, Los Angeles, CA, March
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"Basquiat, The Retrospective," Whitney Museum of Art,
New York
1991 Mc Kenna, Kristine, "Mixed
Media Homage to a Black Martyr", LA Times,
March 15, Sec. F, p. 25
Agalidi, Sanda,
"Kerry Marshall & Christopher Warner at Koplin Gallery",
Visions Art Quarterly, Fall, p. 42, Vol. 5, no.
4
1986 Muchnic, Suzanne, "Only in
L.A. Presents an Ethnic Diversity", LA Times,
Thursday, June 19
Richardson,
Elizabeth, "A Fruitful Diversity", Artweek, July 12,
Vol. 17, no. 25
Zimmer, William,
"Nadine DeLawrence Maine & Kerry Marshall", The
NY Times, Sept. 26
Drohojowska,
Hunter, "Equal-Opportunity Exhibit Misses An Artistic Point",
LA Herald
Examiner, Section E, p. 4, June 29
Mora, Dario,
"Review", L.A. Opinion, July 16
Brown, Kay.
"Where We At- Introduces Art Couples In Muse Show",
Amsterdam News,
p. 23, July 21
Kennedy, Shawn
G., "For Fledging Artists, A Place To Grow", NY Times,
June 18
1985 "Are You Washed", Artweek,
April 13
Wilson, William,
Review, The Los Angeles Times, March 29
Gardner, Colin,
"The Mystic Ambiguity of Kerry Marshall", L.A. Reader,
April 5
Review, L.A.
Reader, May 3
Razilli, Yoelli,
"Review", Israel Shelanu, May 17
Brown, Kay
"Where We At Introduces Art Couples in Muse Show,"
Amsterdam News, pp.23, July 21
Gardner, Colin,
"A Survey of Ten Emerging Artists", L.A. Reader, October
26
1986 Clothier, Peter, "Kerry Marshall",
L.A. Weekly, May 3
Wolf, Leslie,
"Seventeen Self-Portraits", L.A. Weekly, March 16
Gardner, Colin,
"A Survey of Ten Emerging Artists," LA Reader, October
26
LA Weekly,
"Seventeen Self Portraits," March 16
Clothier, Peter,
"Kerry Marshall," LA Weekly, May 3
1983 Pinkus, Robert, Review, The Los
Angeles Times, Friday, October 14
Starr, Lori,
"Thoughts and Dreams", Artweek, October 22, Vol. 14,
no. 35
Wilson, William,
Los Angeles Times, Friday, October 14
1980 "Spotlight on Three L.A. Artists",
The Los Angeles Times, Jan.
PROFESSIONAL EXPERIENCE:
1997 Writer/ Director, The Doppler Incident,
sponsored by the Brooklyn Academy of Music,
The Kitchen, NY,NY
1991 Production Designer, Prairie House, Julie
Dash, Director
Production Designer,
Hendrix Project, A. Jafa, Director
1990 Production Designer, NUNU, Hiale Gerima,
Director
1989 Production Designer, Daughters of the
Dust, Julie Dash, Director
MUSEUM AND PUBLIC COLLECTIONS:
The William Benton Museum of Art, University of Connecticut,
Storrs, CT
Whitney Museum of Art, New York, NY
Museum of Contemporary Art, Chicago, IL
Studio Museum in Harlem, Harlem, NY
Arkansas Art Center, Little Rock, AR
Art Bank Santa Monica Arts Commission, Santa Monica, CA
Loyola Law School, Los Angeles, CA
Laguna Art Museum, Laguna Beach, CA
Wadsworth Atheneum, Boston, MA
Los Angeles County Museum of Art, Los Angeles, CA
Corcoran Gallery of Art, Washington, D.C.
Denver Art Museum, Denver, CO
St. Louis Art Museum, St. Louis, MO
Johnson County Community College, Overland Park, KS
University of Arizona Museum of Art, Tucson, AZ
Art Institute of Chicago, Chicago, IL
Legler Branch Chicago Public Library, Chicago, IL
San Fransisco Museum of Modern Art, San Fransisco, CA
List Visual Arts Center, MIT, Cambridge, MA
Addison Gallery of American Art, Andover, MA
Rockford Art Museum, Rockford, IL
Johnson County Community College, Overland Park, KS
Birmingham Museum of Art, Birmingham, AL
Rubell Family Collection, Miami, FL
Seattle Art Museum, Seattle, WA
Sheldon Memorial Gallery, Lincoln,NE
The Orlando Museum of Art, Orlando, FL
Mobile Museum of Art, Mobile, AL
CORPORATE COLLECTIONS:
Mc3D, Chicago, IL
The Principal Financial Group, Des Moines, IA
The Progressive Corporation, Cleveland, Ohio
The Mac Arthur Foundation, Chicago, IL
Peter & Eileen Norton Family Foundation, Santa Monica, CA
Lewis Manilow Foundation, Chicago, IL
Dain Bosworth Inc., Los Angeles, CA
Pearl C. Woods Gallery, Los Angeles, CA
The Norton Family Foundation, Los Angeles, CA
Dain Rauscher, Minneaplois, MN
Federal Reserve Board, Birmingham, AL
Sprint, Overland Park, KS
Microsoft Corporation, Redmond, WA
General Mills, Minneapolis, MN
