December 2003 FOR IMMEDIATE RELEASE
Kerry James Marshall
Color Blind: A Selection of New Work
Opening Reception: Saturday, January 10, 6:00-8:00 p.m.
Gallery Hours: Tuesday-Friday: 10:00 a.m.
5:30 p.m., Saturday: 11:00 a.m. 5:30 p.m.
Koplin Del Rio Gallery is pleased to announce its fifth exhibition
of new work by Kerry James Marshall.
Throughout his career, Marshalls paintings have explored
African American history and experience in contemporary socio-political
contexts. His work draws on a full range of art historical
and social knowledge.
Marshalls latest body of work developed for the Color
Blind exhibition describes the human experience of race as
social structure and suggests that, through vision, we construct
a social ontology based on color. The paintings draw upon
the Isihara Isochromatic plates (also known as the Confusion
Test), which test vision deficiencies, and also illustrate
the black effect. The exhibitions title
and subject matter deconstruct the color blind approach
to eradicating racism (act as if it does not exist, therefore
it ceases to exist). By questioning the notion of color blindness,
the work suggests an approach that dismantles it in the same
way it was constructed in the first place. Also on view will
be his visually compelling and pragmatic Heirlooms and Accessories,
a three-part series of ink jet prints on paper in wooden frames
with rhinestone trim borders. For this series, Marshall appropriates
powerful imagery taken from the well-known 1930 photograph
of the lynching of two black men in Marion, Indiana, and reminds
the viewer that a legacy of violence is the foundation upon
which much of white privilege is built and handed down to
future generations.
Kerry James Marshall was born in Birmingham, Alabama, in 1955.
He grew up in Los Angeles and attended Otis Art Institute,
where he received his BFA in 1978 and an Honorary Doctorate
in 1999. He moved to Chicago in 1987, where he currently lives
and works. Marshall also participated in the 2003 Venice Biennale,
the 1997 Whitney Biennial, The Carnegie International 1999/2000,
and Documenta X in 1997. Marshall has been awarded a MacArthur
Genius Grant and a National Endowment for the
Arts Visual Arts Fellowship in Painting. His works have been
acquired by several institutions, including the Los Angeles
County Museum of Art, The Whitney Museum of American Art,
The San Francisco Museum of Modern Art, and the Museum of
Contemporary Art, Chicago, among others.
The Museum of Contemporary Art, Chicago, has also organized
a major exhibition of new work by Kerry James Marshall titled
One True Thing: A Meditation on Black Aesthetics,
which travels to Baltimore Museum of Art, The Studio Museum
in Harlem, and The Birmingham Museum of Art.