April 2005
FOR IMMEDIATE RELEASE
Norman
Lundin: Views Out a Window and Other Paintings
Exhibition Dates: April 16th- May 28th, 2005
Opening Reception: Saturday, April 16th, 6:00
- 8:00 p.m.
Gallery Hours: Tuesday-Friday: 10:00am - 5:30pm, Saturday: 11:00am
- 5:30pm
Koplin
Del Rio Gallery is pleased to announce its third exhibition
of new works by Seattle based artist Norman Lundin.
Over the course of nearly four decades of painting, Norman Lundin
has often turned to still lifes. Influenced by early 20th Century
Scandinavian painters such as Vilhelm Hammershoi, Lundin’s
sparse arrangements of objects in his Seattle studio are painted
with long shadows and subtle tones that reflect the city’s
ominous skies and diffused sunlight, leading to a restrained
expressive presence. Subtle associations of colors slow down
the pace of looking to establish a meditative mood and encourage
contemplation.
Objects are painted, not solely for their intrinsic interest,
but to explain the volume of space, which is the intended subject
matter. The scenes tend to be populated with very ordinary objects.
Lundin’s intention then, is to make the viewer aware of
the time of day, the volume of space and sense of physical location.
If negative space is the intended subject matter, then the objects
must have neutral emotional associations. These formal principles
are evident in the large painting entitled “Startled Horse”.
In this piece, Lundin plays with the viewers perception as he
invites you into his studio space, rendering not only the sketch
of the horse, but all the walls, floor boards and objects encompassing
the negative space surrounding the drawing taped on the wall.
The overall effect of the composition creates a window to an
intimate almost voyeuristic experience.
Norman Lundin was born in Los Angeles in 1938. He attended the
Art Institute of Chicago and the University of Oslo before receiving
his MFA from the University of Cincinnati. He has received numerous
prestigious awards, including grants from the Fulbright, The
Ford Foundation, and the Tiffany Foundation, as well as fellowships
from the NEA and the Washington State Council on the Arts. A
longtime resident of Seattle, Lundin’s work is in many
important collections, including the Museum of Modern Art, the
Brooklyn Museum, the Fine Arts Museums of San Francisco, and
the Seattle Art Museum, among others.