ARTIST
STATEMENT: Twilight Chorus
Similarities and
differences in the ways Eastern and Western cultures codify beliefs
about the afterlife intrigue me. The ‘Heaven and Hell’
series examines striking similarities in Buddhist and Christian iconography
concerning what the future may hold. I was surprised to learn that
Christian concepts, including purgatory and limbo, exist in some forms
of Japanese Buddhism, as well as ‘gatekeeper’ figures,
and punishments befitting the particular crimes that led the soul
to hell. William Blake’s watercolors from The First Book of
Urizen (a chapter of his Bible of Hell) also influenced this series.
The long term
ubiquity of anime and manga in Japan and the US influenced me to replace
puti (cherubs) in heaven, and other supporting cast members (in hell),
with Doraemon and Atom Boy, from Japanese cartoons. Mass marketing,
cell phones and an overdose of kawai (cuteness) contribute to these
updated visions of eternal torment.
Ideas for paintings
also emerged from observation of the natural world, particularly the
habits of wild birds I feed every day and feral cats that lurk in
the shadows of our backyard.
Edo (1600-1868)
and Meiji period (1868-1912) woodblock print masters Shibata Zeshin,
Gototei Kunisada (Toyokuni III), and Ichiyusai Kuniyoshi, and Dutch
artist M.C. Escher (1898-1972) inspired me to imagine a fourth dimension
populated by these creatures.