Kerry James Marshall

"Study for Vignette 15", 2008, acrylic and watercolor on paper, 34.25" x 25.25"

"Study for Vignette 15", 2008, acrylic and watercolor on paper, 34.25" x 25.25"

Available Works
Untitled (Pen), 1998, C-print, edition of six, 30” x 40” "Dalies: May 19-May 20", 2010, triptych, mixed media on paper, 26 1/4" x 33 1/4" "Dalies: May 19-May 20", 2010, triptych, mixed media on paper, 26 1/4" x 33 1/4" "Dalies: May 19-May 20", 2010, triptych, mixed media on paper, 26 1/4" x 33 1/4" "Dalies: May 19-May 20", 2010, triptych, mixed media on paper, 26 1/4" x 33 1/4" Study for Vignette 14, 2008, acrylic and watercolor on paper, 34 1/4" x 25 1/4" Study for Vignette 15, 2008, acrylic and watercolor on paper, 34 1/4" x 25 1/4" "A Black Death", 2012, Artist proof 3, archival digital print, 21" x 19" image , Black Beauty (Alana)", 2012, edition of 6, archival digital print, 23" x 15" ima "Black Beauty (Tyla)", 2012, edition of 6, archival digital print, 29.5" x 21" i "Bride of Frankenstein", 2010, hardground etching, edition of 50, 22.5" x 19" "Frankenstein", 2010, hardground etching, edition of 50, 22.5" x 19" Untitled (Handsome Young Man), 2010, hardground etching, edition of 50, 22.5" x Untitled (Woman), 2010, hard ground etching, edition of 50, 24.5" x 19" "Vignette (Wishing Well)", 2010, color aquatint etching, edition of 50, 53"x41"
About: Kerry James Marshall
Kerry James Marshall

BORN: 1955 Birmingham, AL

EDUCATION:
1999 Honorary Doctorate, Otis Art Institute, Los Angeles, CA
1978 Otis Art Institute, Los Angeles, BFAA

Browse other Artists

GRANTS:
2004 Distinguished Artist Fellowship and Stillwater Foundation Grant, College of Fine Arts,
University of Austin
1997 MacArthur Fellowship, T. Mac Arthur Foundation of Chicago
Herb Alpert Award in the Arts, Cal Arts, Valencia, CA (Visual Arts)
1992 Illinois Arts Council Fellowship (Painting)
1991 N.E.A. Visual Art Fellowship (Painting)
Illinois Art Council Fellowship (Painting)
1990 Art Matters Inc. Fellowship (Painting)
1985 Artist-In-Residence Fellowship, Studio Museum in Harlem, New York, NY

SOLO EXHIBITIONS:
2013-14 Museum van Hedendaagse Kunst Antwerpen, Belgium, catalog, traveling exhibition
2012 "Kerry James Marshall", Vienna Secession, Association of Visual Artists, Vienna, Austria
2010 "Kerry James Marshall", Vancouver Art Gallery, British Columbia, Canada
2009 "Art in the Atrium", Museum of Modern Art, San Francisco, CA
2008 “Portraits, Pin-Ups and Wistful Romantic Idylls”, Koplin Del Rio, Culver City, CA
2008 “Black Romantic”, Jack Shainman Gallery, New York, NY
2006 “Rhythm Master”, Mass Moca, Boston, MA
2006 “Along the Way”, Modern Art Oxford, England
“Along the Way”, The New Art Gallery, Walsall, England
“Along the Way”, Baltic, Newcastle, England
2005 “Along the Way”, Camden Arts Centre, London, England
“One True Thing: Meditations on Black Aesthetics”, Birmingham Museum of Art, AL
2004 “Color Blind”, Koplin Del Rio Gallery, Los Angeles, CA
2003-4 "One True Thing: Meditations on Black Aesthetics," Museum of Contemporary Art, Chicago, IL, Traveling to: Miami Art Museum, FL, Baltimore Museum of Art, MD, The Studio Museum in Harlem, NY, Birmingham Museum of Art, AL
2002 "Some Momentos," Greg Kucera Gallery, Seattle, WA
2000 Cheekwood Museum of Art, Nashville, TN
1999 Jack Shainman Gallery, New York, NY
1998 "Kerry James Marshall: Mementos", The Renaissance Society, University of Chicago,
Chicago, IL, traveling to:
Brooklyn Museum of Art, Brooklyn, NY
San Francisco Museum of Modern Art, San Francisco, CA
Institute of Contemporary Art, Boston, MA
Santa Monica Museum of Art, Santa Monica, CA
Boise Art Museum, Boise, ID
"A Narrative of Everyday", Orlando Museum of Art, Orlando, FL
1997 "1980's Unique Woodcut Prints", Koplin Gallery, West Hollywood, CA
"Kerry James Marshall: Looking Back", San Diego State University Art Gallery, San Diego, CA
“Recent Paintings and Drawings,” Addison Gallery, Andover Academy, Andover, MA
1995 "The Garden Project", Jack Shainman Gallery, New York, NY
Greg Kucera Gallery, Seattle, WA
1994 "Telling Stories: Selected Paintings", Traveling Exhibition, Nov. 1994 to July 1995, The Cleveland Center for Contemporary Art, Cleveland, OH; Johnson County Community College, Overland Park, KS; University of Missouri, St. Louis, MO; Pittsburgh Center for the Arts, Pittsburgh, PA (catalog)
“Different Visions: Joe Edward Grant & Kerry James Marshall”, Saddleback College Art Gallery, Mission Viejo, CA
1993 “The Lost Boys”, Koplin Gallery, Santa Monica, CA
Jack Shainman Gallery, New York, NY
1992 "Terra Incognita: Works by Kerry James Marshall and Santiago Vaca", Chicago Cultural Center, Chicago, IL
1991 Koplin Gallery, Santa Monica, CA
1986 Studio Museum in Harlem, Artist in Resident Exhibition, Harlem, New York, NY
1985 Koplin Gallery, Los Angeles, CA
1984 Pepperdine University Art Gallery, Malibu, CA
1983 James Turcotte Gallery, Los Angeles, CA
1981 L.A. Southwest College, Los Angeles, CA

GROUP EXHIBITIONS:
2009 - 13 "30 Americans: Rubell Family Collection", Rubell Family Collection, Miami, FL; traveled to: North Carolina Museum of Art, Raleigh, NC; Corcoran Gallery of Art, Washington, D.C.; Chrysler Museum, Norfolk, VA; Memphis Brooks Museum, Tennessee, Spring 2013. (catalog; text by Franklin Sirmans)
2012 The Blanton Museum of Art, Austin, TX
"Super Human", Central Utah Art Center, Ephraim, UT
2011 "80 @ 80", Addison Gallery of American Art, Andover, MA
"Jeff Wall: The Crooked Path", Bozar Centre for Fine Arts, Brussels, Curated by Hans Maria de Wolf.
"Go Figure", Smart Museum, University of Chicago, IL
"Converging Voices, Transforming Dialogue: Selections from the Elliot and Kimberly Perry Collection", University Museum, Texas Southern University, Houston, TX
"Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists", Bronx Museum, New York, NY (catalog)
"Seeing Is A Kind Of Thinking: A Jim Nutt Companion", Museum of Contemporary Art Chicago, IL. Curated by Julie Rodrigues Widholm.
2009 Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary ‘Drawings Collection”, Museum of Modern Art, New York, NY
Heartland” Smart Museum of Art, University of Chicago, IL
“Between Art and Life: The Contemporary Painting and Sculpture Collection”, San Francisco Museum of Modern Art, San Francisco, CA
“Lincoln: Man, Myth, and Memory”, Wadsworth Antheneum, Hartford CT
“30 Americans”, Rubell Family Collection, Miami, FL
“Across the Divide: Reconsidering the Other”, Illinois State Museum, Springfield, IL
2008 “Collection In Context: Four Decades,” Studio Museum in Harlem, New York, NY
“Gwangju Biennale”, Gwangju, Korea
“Taking Possession” UALR University of Arkanasas, Little Rock, AK
“Portraiture Now: Framing Memory,” Smithsonian National Portrait Gallery, Washington, DC
“Cult Fiction Art and Comics organized by the Hayward Gallery, UK and traveling to the following venues:
• New Art Gallery, Walsall
• Nottingham Castle
• Leeds City Art Gallery
• Aberystwyth Art Gallery
• Tullie House, Carlisle
2007 “Portraiture Now: Framing Memory”, Smithsonian Center for American Art and Portraiture, Washington D.C.
“Documenta 12”, Kassel, Germany
“Cult Fiction Art and Comics”, organized by Hayward Gallery, UK and traveling to the following venues:
New Art Gallery, Walsall
Nottingham Castle
Leeds City Art Gallery
Aberystwyth Art Gallery
Tullie House, Carlisle
2006 “Drawing as Process in Contemporary Art”, smart Museum of Art, University of Chicago, IL
“Twice Drawn”, Tang Teaching Museum, Saratoga Springs, NY
“A Historic Occasion”, MASS MOCA, North Adams, MA
“Otis: Nine Decades of Los Angeles Art Historical Survey of Fine Art by Alumni”,
Los Angeles, CA
“Black Panther Rank And File”, Yerba Buena Center for the Arts, San Francisco, CA
“COMPLICIT! Contemporary American Art and Mass Culture”, University of Virginia Art Museum, Charlottesville, VA
2005 “Art From the Collections of Loyola Marymount University and Law School”, Loyola Marymount University, Los Angeles, CA
“Very Early Pictures”, Luckman Gallery, Cal State, Los Angeles, CA
“The Whole World Is Rotten”, Jack Shainman Gallery, New York, NY
“The Other Mainstream”, Arizona State University Art Museum, Tempe, AZ
2004 “The Undiscovered Country”, UCLA Hammer Museum, Los Angeles, CA
“Drawings VII”, Koplin Del Rio Gallery, West Hollywood, CA
“Hair Stories”, Scottsdale Museum of Contemporary Art, Arizona, traveling to:
Clark Atlanta University Art Galleries
Chicago Cultural Center, Sidney R. Yates Gallery, Chicago, IL
“Splat Boom Pow!”, Contemporary Arts Museum, Houston, traveling to:
Institute of Contemporary Arts, Boston
“African American Artists in Los Angeles, a Survey Exhibition: Fade (1990-2003)”, Craft and Folk
Art Museum, Luckman and University Galleries at California State University, CA
Wexner Center for the Arts, Columbus, OH
2003 “African American Artists in Los Angeles, A Survey Exhibition: Fade 1990-2003”, Luckman Gallery
at California State University, Los Angeles, CA
“Celebrating & Investigations: African American Artists in Kansas City Collections”, The Kansas City Jewish Museum/The Epsten Gallery at Village Shalom, Overland Park, KS
"American Art Today: Faces and Figures", The Art Museum at Florida International University
“Delays and Revolutions” at “Venice Biennale”, Italian Pavilion, Venice, Italy
"Comic Release: Negotiating Identity for a New Generation”, traveling to:
Carnegie Mellon University, Pittsburgh, PA
New Orleans Contemporary Arts Center, New Orleans, LA
University of North Texas, Denton, TX
Polk Museum of Art, Lakeland, FL
"American Art Today: Faces and Figures," Art Museum at Florida Int. University, Miami, FL
"Splat Boom Pow: The Influence of Comics in Contemporary Art," The Contemporary Art Museum
Houston, Houston, TX
"Retrospectacle: 25 Years of Collecting Modern and Cont. Art," Denver Art Museum, Denver, CO
2002 "Drawings VI," Koplin Gallery, Los Angeles, CA
"New Visions of the American Heartland: Alcolm Cochran, Kerry James Marshall, Maya Lin, and
Mary Lucier", Frederick R. Weisman Art Museum, Minneapolis, MN
"Perceptual Experience: Contemporary American Figure Drawings," Frye Art Museum, Seattle, WA
"Rhona Hoffman Gallery, Chicago, IL
"Plotting: An Exhibition of Artist Studies: Carrie Secrist Gallery, Chicago, IL
2001 "I Love NY" Benefit Exhibition, Jack Shainmen Gallery, New York, NY
"Imprint," Philadelphia Print Center, Philadelphia, PA
"Im Not Here: Constructing Identity at the Turn of the Century," Susquehanna Art Museum,
Harrisburg, PA
"Points of Departure II," San Francisco Museum of Modern Art, San Francisco, CA
"The Big Show-'Healing,'" NICC, Antwerpen, Belgium
"Illusions of Eden: Visions of the American Heartland," Madison Art Center, Madison, WI
"Present Compose," The Ottawa Art Gallery, Ottawa, Ontario, Canada
2000 “Drawings V,” Koplin Gallery, Los Angeles, CA
“Illusions of Eden: Visions of the American Heartland,” Columbus Museum of Art, Columbus, OH
traveling to:
Museum of Modern Art, Ludwig Foundation, Vienna, Austria
Ludwig Museum/Museum of Contemporary Art, Budapest, Hungary
Madison Art Center, Madison, WI
Washington Pavilion of Arts & Science, Sioux Falls, SD "ID/Y2K: Identity at the Millennium," Castle Gallery, College of Rochelle, New York, NY
"Virtual Encounters," on-line exhibition, Museum of Contemporary Art, Chicago, IL
"The Figure: Another Side of Modernism," Newhouse Center at Snug Harbor Cultural Center
Staten Island, NY
"Passages: Contemporary Art in Transition," Chicago Cultural Center, Chicago, IL and Miami Art
Museum, Miami, FL
Age of Influence: Reflections in the Mirror of American Culture, Museum of Cont. Art, Chicago, IL
"Representing": A Show of Identities," Parrish Art Museum, Southampton, NY
"Beyond the Press: Innovations in Print," Hand Workshop Art Center, Richmond, VA
1999 "I'm Not Here: Constructing Identity at the Turn of the Century," Susquehanna Art Museum,
Harrisburg, PA
“Carnegie International 1999/2000,” Carnegie Museum of Art, Pittsburgh, PA
“Other Narratives: Fifteen Years,” Contemporary Arts Museum, Houston, TX
“Trouble Spot: Painting,” Museum of Contemporary Art Antwerp (MUHKA), Antwerp,
Belgium, curated by Luc Tuymans
INIT-Kunst Halle, Berlin, Germany
"Re-Righting History: Counternarratives by Contemporary African American Artists", Katonah Museum of Art, Katonah, NY, curated by Barbara Bloemink
“Beyond the Veil: African American Artists and their Art at Century’s End,” Cornell Fine Arts Museum of Rollins College, Winter Park, FL
“Collectors Collect Contemporary: 1990-1999,” Institute of Contemporary Art, Boston, MA
1998 "Drawings IV", Koplin Gallery, Los Angeles, CA
“Postcards from Black America: Contemporary African American Art,” de Beyerd, Breda, Amsterdam, traveling to:
MUHKA, Antwerp, Belgium
Frans Hals Museum, Haarlem, Holland
“Interpreting” The Rotunda Gallery, Brooklyn, NY
“After Eden: Garden Varieties in Contemporary Art,” Middlebury College Museum of Art,
Middlebury, VT
“The Corcoran Collects: Selections from the Permanent Collection,” Corcoran Gallery of Art, Washington, D.C.
1997 “Male,” curated by Vince Aletti, Wessel + O’Connor Gallery, New York, NY
“Heart, Mind, Body, Soul: American Art in the 1990s,” The Whitney Museum of Art, New York,
NY, curated by Thelma Golden
"Contemporary Allegories", LA Municipal Art Gallery, Barnsdall Art Park, Hollywood, CA
“Documenta X”, Kassel, Germany
“The Whitney Biennial”, Whitney Museum of American Art, New York, NY
“Civil Progress: Life in Black America,” Greg Kucera Gallery, Seattle, WA
1996 “Art in Chicago, 1945-1995”, Museum of Contemporary Art, Chicago, IL
"Inaugural Group Exhibition", Koplin Gallery, West Hollywood, CA
“No Doubt: African American Art of the 90’s,” Aldrich Museum of Cont. Art, Ridgefield, CT
“Real: Figurative Narratives in Cont. African-American Art”, Bass Mus. of Art, Miami Beach, FL
"American Academy Invitational Exhibition of Painting & Sculpture", American Academy of Arts and Letters, New York, NY
“Burning Issues: Contemporary African-American Art,” Museum of Art, Fort Lauderdale, FL
“Drawing in Chicago Now,” Columbia College Art Gallery, Chicago, IL
“Second Sight: Printmaking in Chicago 1935-1995,” Mary Leigh Block Gallery, Northwestern University, Evanston, IL
"Figurative Impulses", Evanston Art Center, Evanston, IL
1995 "Korrespondenzen and Correspondences", The Chicago Cultural Center, Chicago, IL, curated by
Gregory Knight and Judith Rossi Kirshner
"About Place: Recent Art of the Americas", Art Institute of Chicago, Chicago, IL,
curated by Madeleine Grynstein (catalog)
"In the Black", Luckman Fine Arts Gallery, California State University Los Angeles, CA (catalog)
"Art at the Edge - Social Turf", High Mus. of Art, Atlanta, GA, curator: Rebecca Dimling Cochran
“Under Construction: Rethinking Images of Identity”, Armory Center for the Arts, Pasadena, CA
1994 "Korrespondenzen and Correspondences", Berlinische Galerie, Berlin, Germany
"Bridges and Boundaries, Chicago Crossings", Spertus Museum of Judaica, Chicago, IL
"In the Black," Irvine Fine Arts Center, Irvine, CA, (catalog)
"Up the Establishment", curated by Dan Cameron for ICI, Sonnabend Gallery, New York, NY
"Different Visions," Saddleback College Art Gallery, Mission Viejo, CA
1993 “My Culture Our Culture”, Laguna Art Museum, Laguna Beach, CA
“Drawings III”, Koplin Gallery, Santa Monica, CA
"Daylight Fantasy - The Night's Dark Side", Riverside Art Museum, Riverside, CA
“Conversations”, Museum of Modern Art, New York, NY
“Chicago Curators Choose Chicago Artists”, Zolla/Lieberman Gallery, Inc., Chicago, IL
“43rd Biennial Exhibition of Contemporary American Painting”, Corcoran Gallery of Art, Washington, D.C.
"Markets of Resistance", White Columns, New York, NY
"Man, Myth, & Masculinity", Ledisflam, New York, NY
“The Studio Museum in Harlem: 25 Years of African-American Art”, Paine Weber Art Gallery,
New York, NY
1992 “Drawings II”, Koplin Gallery, Santa Monica, CA
“The City of Santa Monica Art Bank Collection”, Santa Monica Museum of Art, Santa Monica, CA
"National Drawing Invitational", Arkansas Art Center, Little Rock, AR
"Social Figuration", San Diego State University, San Diego, CA
"Basically Black & White", Art Alliance Gallery, Riverside, CA
"God's Violent World: Artists Respond", Elmhurst College, Elmhurst, IL
"Dreams & Demons: Modern Mythic Visions", Evanston Arts Center, Evanston, IL
1991 “God’s Violent World: Artists Respond,” Elmhurst College, Elmhurst, IL
"Drawings", Koplin Gallery, Santa Monica, CA
1987 “1987 Invitational”, Cerritos College, Cerritos, CA
1986 "The Flower Show", Design Center, Los Angeles, CA
"Joining Forces," Gallery 1199, New York, NY
"Home for the Holidays", Koplin Gallery, Los Angeles, CA
"Two Person Group Show", Studio Museum at Harlem, New York, NY
"Only Los Angeles", Los Angeles Municipal Art Gallery, Los Angeles, CA
1985 "Fusion '85", Jewish Federation Council Gallery, Los Angeles, CA
"Collage", Galleria Ocassa, Los Angeles, CA
"Common Ground", Brockman Gallery, Los Angeles, CA
"Purchase Show", Santa Monica Art bank, Santa Monica, CA
"The Spiritual Eye", Loyola Law School Gallery, Los Angeles, CA
"The Floor Show", Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
"Fifth Annual Afro-American Artists Exhibition", Atlanta Life Insurance Co., Atlanta, GA
1984 James Turcotte Gallery, Los Angeles, CA
"Faculty Exhibition", Los Angeles Southwest College Art Gallery, Los Angeles, CA
"Olympiad, Summer '84", Koplin Gallery, Los Angeles, CA
"The Finals in Painting & Sculpture", Jan Baum Gallery, Los Angeles, CA
"Environs 3", Loyola Law School Gallery, Los Angeles, CA
"Artist's Call", Thinking Eye Gallery, Los Angeles, CA
"Seventeen Self-Portraits by L.A. Artists", Occidental College, Los Angeles, CA
"Perspectives on Black Art," California State University at Los Angeles, Los Angeles, CA
1983 Roberts Art Gallery, Santa Monica, CA
1980 Jan Baum Gallery, Los Angeles, CA
"Six Artists from L.A.", Cal State University, Dominguez Hills, CA
"3 Artists", Mt. St. Mary's College, Los Angeles, CA
1979 "Newcomers 1979", Municipal Art Gallery, Los Angeles, CA
"Certain Attitudes on Paper", Pearl C. Wood Gallery, Los Angeles, CA

PUBLIC PROJECTS
2006 Site Specific Installation in Hyde Park, London, United Kingdom

SELECTED BIBLIOGRAPHY:
2009 Choznick, Amy and Kelley Crow, “Changing the Art on the White House Walls”, The Wall Street Journal, May 22, 2009
2008 Smith, Roberta, “A Hot Conceptualist Finds the Secret of Skin,” New York Times, September 5, 2008, page E23
Baker, R.C. “Black on Black” The Village Voice, Best In Show June11-17 page 48
Cohen, David “Hanging the Group Shows” The New York Sun, May 27th page 15
Gopnik, Blake “Kerry James Marshall” www.Artforum.com, June 6, 2008
Baker, R.C. “The Black Whole” The Village Voice, March 5-11 page 102
2007 Princenthal, Nancy, “ Documenta 12: A Dense Weave” Art in America, September 2007 pg. 110
Cotter, Holland The Color Line The New York Times, Art in Review, Friday July 27
O'reilly, Sally Cult Fiction: Art and Comics Art Monthly, July-August
Cotter, Holland Asking Serious Question's in a Very Quiet Voice The New York Times, Art in Review June 22
2006 Williams, Eliza, Art Monthly, February 6, 2006
Modern Painters, February 2006
Muhammad, Erika Dalya, “Black to the Future”, Art Review, January 2006
2006 Cumming, Laura, “Master of the Black Arts”, The Guardian, Art Review Jan. 1, London, England
2004 King, Rachel, “The Shock of the ‘Do”, ArtNews, May, p. 46
Cotter, Holland, “Black’ Comes in Many Shadings”, New York Times, Weekend, Aug. 13, B27
Dixon, Glenn, “True Thing’: Braking Out of the Frame”, The Washington Post, Style, July 20, C1
McNatt, Glenn, “A tour de force of America’s tragic contradictions”, The Sun, June 20, 2F
Biro, Matthew, “Representing Blackness”, Art Papers, March/April, pgs. 34-39
Ollman, Leah, “Heirlooms’ opens a racial dialogue”, LA Times, Feb. 6
Haithman, Diane, “Crossing Generations”, LA Times, Jan. 19
Workman, Michael, “Kerry James Marshall”, Flash Art, Vol 37, No. 234, Jan./Feb., p.111
2003 Tapp, Mara, “Visible Man”, Chicago, Oct., pgs. 100-7, 136-7
Hawkins, Margaret, “Chicago artist’s ethnicity colors MCA exhibit- and that’s just the way he likes
it”, Chicago Sun-Times, Oct. 24
Connors, Thomas, “Paint it black”, Chicago Social, Oct.
Wiens, Ann, “Beauty with a Bite”, Chicago Collection, Fall/Winter
2002 "Imprint," catalogue for the public art project in Philadelphia, The Print Center
"Plotting," catalogue for the exhibition at Carrie Secrist Gallery, Chicago, IL
Sporre, Dennis J., The Creative Impulse: An Introduction to the Arts, sixth edition, Prentice-Hall,
Inc., NJ
2001 Wang, Dan S. "Kerry James Marshall: Agent of Change," New Art Examiner, Feb., p. 26
"Art21 Art in the Twenty-First Century," PBS, Sept. 21
Steams, Robert, ed., Illusions of Eden: Visions of the American Heartland, Madison Art Center,
WI, pp. 216-227
2000 Stearns, Robert, "Illusions of Eden: Visions of the American Heartland, Exh. cat. Columbus, OH
Marshall. Kerry James. "A Thousand Words: Kerry James Marshall Talks About Rhythm Master,"
Artforum, Summer, p. 149
Dunlop, Jennifer, “Kerry James Marshall,” Art Issues, March/April
Roth, Charlene, “Kerry James Marshall at the Santa Monica Museum of Art,” Artweek, Feb.
Frank, Peter, “Kerry James Marshall,” LA Weekly, Feb. 18-24
Knight, Christopher, “Mementos’ of the Civil Rights Movement,” LA Times, Jan. 4
Fresh Cream, 10 curators, 100 artists, curated by Octavio Zaya, New York, Phaidon Press
Harris, Juliet, ed, The International Review of African American Art, vol. 16, no. 4
Myer, James, "Impure Thoughts: The Art of Sam Durant," Artforum, April, p.113
Grabner, Michelle, "Trouble Spot Painting," frieze, issue 50, p. 107
LA Times, Wed., Jan. 5
Siegel, Katy, "1999 Carnegie International," Artforum, Jan., p. 105
"Artist Joins in Students' Search for Their Identities", Southampton Press, Jan. 3
1999 Leffingwell, Edward, “Kerry James Marshall at Jack Shainman,” Art in America, Dec., p. 109
Glueck, Grace, The New York Times, Fri., April 9, p. E40
Schwendener, Martha, “Kerry James Marshall at Jack Shainman Gallery,” Time Out New York,
April 8-15, p. 61
Clark, Marcia, “ReVisioning of History at Katonah Museum,” Scarsdale Record Review, April 9
Canning, Susan, “Kerry James Marshall: Mementos,” Art Papers, March/April, p. 53
Helfand, Glen, “Mementos,” San Francisco Bay Guardian, Feb. 3
Hamlin, Jesse, “Kerry James Marshall’s Banner Plan,” The San Francisco Sunday Examiner and Chronicle, Jan. 31, pp. 1, 32
Helfand, Glen, “Kerry James Marshall: Mementos,” Sidewalk San Francisco, Jan. 25
Baker, Kenneth, “Through the Past, Mournfully: Marshall’s Art Revisits the Civil Rights Era,” The San Francisco Chronicle, Jan. 23, p. E1
Bishop, Philip, “His Art Look Life in the Eye,” The Orlando Sentinel, Jan. 17, p. F1, 10
Erickson, Karl, “Spotlight: Kerry James Marshall,” Flash Art, Jan./Feb., pp. 92-95
Phillips, Lisa, The American Century: Art & Culture 1950-2000, p. 342
Drohojowska-Philp, Hunter, " Finding an Eden Among the Everyday," LA Times,
Sunday, Dec. 12,p. 70
Smith, Roberta, "When Context Outshines Content in American Art," New York Times,
Friday, Sept. 24, Section E, p. E31 and E35
Smith, Roberta, "Safe Among Seamless Shadows," New York Times, Wed., Nov. 17, Sec. B, p. B1, B6
Johnson, Patricia C., "Every Picture tells A Story," Houston Chronicle, Wed., June 2,
Section D, p. D1-D3
"Working Proof," Work on Paper, Sept.-Oct., p. 54
Dewan, Shaila, "Too Much for Words," Houston Press, June 10-16, p. 61-62
Kern, Lauren, "Urban Adventures," Houston Press, May 13-19, p. 41
"Kerry James Marshall," Art on Paper, Sept.- Oct., p. 53
1998 Wiens, Ann, “Kerry James Marshall,” New Art Examiner, Sept.
Snodgrass, Susan, “Heroes and Martyrs,” Art in America, Nov.
Cotter, Holland, “In Civil Rights Ferment, A conflicted Nostalgia,” New York Times,
Oct. 2, p. E38
Turner, Grady, “Kerry James Marshall at the Brooklyn Museum of Art,” Review, Oct. 15, p. 23-24
Camhi, Leslie, “Black and Blue: Kerry James Marshall at the Brooklyn Museum of Art,”
Village Voice, Oct. 13, p. 137
Rush, Michael, “Kerry James Marshall at the Brooklyn Museum of Art,” Review, Oct. 1, pp. 15-16
Kirshner, Judith Russi, "Kerry James Marshall: Renaissance Society at the University of Chicago", Artforum, Oct.
Schmerier, Sarah, “Eyes on the Prize: Kerry James Marshall Takes a Hard Look at America’s Struggle Over Race,” New York Magazine, Sept. 24- Oct. 1, p. 61
Brockington, Horace, “Kerry James Marshall,” New York Arts Magazine, Oct., p. 21
New York Magazine, Sept. 21 (reproduction of Den Mother)
Schwabsky, Barry, “Mementos of a Moment,” New York Times, Sept. 6, p. 25
Artner, Alan G., "Broader Canvas, Painter Kerry James Marshall if Finding New Ways To Say What
He Wants To Say", Chicago Tribune, May 3
Camper, Fred, "Painter Kerry James Marshall Rediscovers The Civil Rights Era in the Living Rooms of the Black Middle Class, Reader, May 8
Holg, Garrett, "Stuff Your Eyes With Wonder", Artnews, March
Sweet, Kimberly, "Mourning in America," University of Chicago Magazine, April, p. 26-28
Osborne, Catherine, "Kerry James Marshall," Parachute, v. 91, Summer, p.19-21
Van Driel, Anne, "Werken Die Het Collectieve Geheugen Aanboren," De Volkskrant, June 6
Molesworth, Helen, "Project America: Kerry James Marshall," Frieze, May, p. 72-75
Pieters, Din, "Zwarte Amerikaan Volgt Moderne Trends," Nrc HANDLESBLAD, May 25
Camper, Fred, "Open Houses: Painter Kerry James Marshall rediscovers the Civil Rights Era in the
living rooms of the black middle class, "Chicago Reader, May 8, p.1
1997 Ollman, Leah, "Engaging Prints", LA Times, Nov. 14
Duncan, Michael, "Stuff Your Eyes with Wonder: Kerry James Marshall and the Power of Paint",
LA Weekly, Aug. 1-7
Osnos, Evan, "MacArthur Grant Complements Artist's Work", Chicago Tribune, June
Knight, Christopher, "Documenta X", LA Times, July 20
Adams, Brook, "Report from New York: Turtle Derby", Art in America, June
MacAdam, Barbara A., Reveiws: Whitney Biennial, ARTnews, May
Pincus, Robert L., "A Look Back", San Diego Tribune, April 24
Richard, Paul, "A Warm Glow", The Washington Post, March 26
Peree, Rob, "Uit Documenta Gelicht," Kunstb eeld, Oct., p.12-13
Taha, Hallma, "Civil Progress: Life in Black America," exhibition catalogue, Greg Kucera
Gallery, Seattle, WA
Domberg, John, "Art Above All (Documenta)," Art and Antiques, Sept., p.96-97
1996 "Kerry James Marshall Enlarges Issues Within Small Events," Chicago Tribune Magazine, Dec.
Knight, Christopher, "Second City Art Expressed Anew", LA Times, Nov. 16
Wasserman, Tina, "Figurative Impulses", The New Art Examiner, April
Bancroft, Shelley, "Kerry James Marshall", Reflex Magazine, vol. 9, Issue 11, p. 19, Jan.
Gerst, Virginia, "Artist in Our Town", Pioneer Press, Section B, Diversions, p. 1, Jan. 11
Smith, Roberta, "In Connecticut, the Old Meets the New," New York Times, July 12
Turner, Elisa, "Double-bill at the Bass bites with wit, insight," The Miami Herald, Dec. 21, p.1g
"African-American Art of the 90's will fill Aldrich galleries this summer," Ridgefield Press,
May 16
Hixson, Kathryn, "Kathryn Hixon Visits Kerry James Marshall in Chicago," Trans, Sept.
Merkling, Frank, " Art from the garden, in- your- face, on high," The News-Times, May 30
1995 LaBelle, Charles, " 'Under Construction' at Armory Center for the Arts", Artweek, March
Kimmelman, Michael, "Kerry James Marshall at Jack Shainman", New York Times, Sept. 29, Section 3, p. 18
Farr, Sheila, "Black In Color", Seattle Weekly, Oct. 18, visual arts section, p. 72
Johnson, Ken, "Back to the Garden", Art in America, Vol. 83, No. 11, Nov., p. 92- 93
Kennedy, Lisa, "Flower Power: Kerry James Marshall's Garden Project", Village Voice,
Oct. 10, p. 86
Schwabsky, Barry, "Kerry James Marshall at Jack Shainman Gallery", Art Forum, Vol. 34, no. 11,
p. 92-93, Nov.
Aukerman, Anastasia, "Rising Stars under 40", ArtNews Special Issue, Summer, p. 34
Keegan, Anne, "An Artists Vision", Chicago Tribune, Tempo, Section 5, p. 1-2, Nov. 28
Editors Select, "The Best of Chicago", Chicago Magazine, 25th Anniversary Issue, Vol. 44,
no. 12, p. 105, Dec.
Robinson, Walter, "Marshall Arts", Interview, Nov., p. 86
Canning, Susan M., "Kerry James Marshall at Jack Shainman Gallery", The New Art Examiner, Nov.
Hackett, Regina, "Kerry Marshall at Greg Kucera", Seattle Post-Intelligence, Oct. 13, p. 18
Barandiaran, Maria Jose, "...In a Place Like This?", New Art Examiner, p. 18- 23, Sept.
Goldberger, Paul, "The Art of Choosing", New York Times Magazine, Section 6, Feb. 26
Meyers, Todd, "Korrespondenzen/Correspondences", Parachute, Nov./Dec. issue, p. 64- 65
Camper, Fred, "A Continent Divided", Chicago Reader, Vol. 24, no. 29, April 21, p. 36-37
Patterson, Tom, "Two Artists Plumb Black Indentity", Winston-Salem Journal, Sec. E, p. 2, Aug. 27
Holg, Garret, "Berlin Meets Chicago", Chicago Sun Times, Sec. B, p. 12, April 23
Shearing, Graham, "History Focus of 'Telling Stories", Pittsburgh Tribune, Review, Sec.E p6, June 18
Thorson, Alice, "Examining Blackness Through Art", Kansas City Star, Jan. 29, Sec. 1, p. 1-5
Winfrey, Valerie, "Art - Defining the Dialogue", Pitch Weekly: News and Entertainment for Metro
Kansas City, Feb. 9-15, no. 352
Wilk, Deborah, "On View: Korrespondenzen/Correspondences", New Art Examiner, Summer, Vol. 22, no. 10, Cover Illustration,
"Art at the Edge: Social Turf", (interview), exhibition publication, April 21-Aug. 6
"Artner, Alan, "Correspondences Addresses the Artist If Not the Viewer", Chicago Tribune, Section 7, p. 76, May 5
Lombardi, Dominick D., "No Doubt'- A must see at the Aldrich," The Bedford Pound Ridge Record
Review, July 19
Zimmer, William, "A New Generation Emerging On Often Irreverent Terms," NY Times, July 28
Hilts, Elizabeth, "Symbols We Carry," Fairfield County Weekly, May 23-29
1994 Cullinan, Helen, "High Season for Area Art Galleries", Plain Dealer, Nov. 18
Litt, Steven, "Blacks in Rare Focus", Plain Dealer, Dec. 23
Green, Frank, "Skin Deep", Cleveland City Paper, Dec.
Cameron, Dan, "Ode to Discernment", Frieze, Issue 14, p. 36-39, Jan./Feb.
Risatti, Howard, "The Subject Matters", New Art Examiner, Vol. 21, no. 8, p. 32, April
Edelman, Robert G., "Report from Washington, D.C. - The Figure Returns", Art in America,
Vol. 82, no. 3, p. 39-43, March
Risatti, Howard, "43rd Biennial Corcoran Gallery of Art", Artforum, Vol. 32, no. 7, p. 92, March
Kandel, Susan, "Dry-Eyed Funeral Portraits," LA Times, section F, p.6, April 24
Kapitanoff, Nancy, "Finely Made 'Constructions' Gives Artists Images a Sanctuary," LA
Times, April 25
Newhall, Edith, " Kerry James Marshall," Art News, p. 137, May
Smith, Roberta, "Art in Review (Kerry Marshall)," New York Times, p. 30, Feb. 12
Yau, John, "Kerry James Marshall," Art Forum, p. 106, May
Russell, John, "The Corcoran Gives New Meaning to Biennial," New York Times, Nov. 21
Westfall, Stephen, "Kerry James Marshall," Art in America, p. 132, Oct.
Anderson, Isabel, "Up From the Streets," Artwalk, April 22, Vol.24, No.8
Goldman, Edward, "The Paintings of Kerry James Marshall at the Koplin Gallery," Radio Broadcast,
KCRW, Mon., April 9
Smith, Roberta, "The Living Arts: A Whitney Biennial with a Social Conscience and a Break From
the Past, " The New York Times, March 5
1993 Newhall, Edith, “Gallery Reviews”, ARTnews, May
American Artist, “Resurgence of the Figure”, (reproduction), Oct.
Goldman, Edward, “The Paintings of Kerry James Marshall at the Koplin Gallery”, Radio
Broadcast, KCRW, Mon., April 19
Kapitanoff, Nancy, “Finely Made ‘Constructions’ Gives Artist’s Images a ‘Sanctuary’”,
LA Times, Sun., April 25
Kandel, Susan, “Dry-Eyed Funeral Portraits”, LA Times, Sat., April 24
Smith, Roberta, “The Living Arts: A Whitney Biennial with a Social Conscience & A Break from the
Past”, The New York Times, Fri., March 5
Smith, Roberta, “Art in Review (Kerry Marshall)”, The New York Times, Section C, p. 30, Feb. 12
Yau, John, “Kerry James Marshall”, Artforum, Vol. 31, no. 9, p. 106, May
Russell, John, “The Corcoran Gives New Meaning to ‘Biennial’,” The NY Times, Sec. 2, Nov.21
Westfall, Stephen, "Kerry James Marshall", Art in America, Vol. 81, no. 10, p. 132, Oct.
Anderson, Isabel, “Up From the Streets: Kerry James Marshall at Koplin Gallery”, Artweek,
May 6, Vol. 24, no. 9, p. 33
McCraken, David, "Local Artists Shine in Summer Experiment", Chicago Tribune, Section 7,
p. 46, July 23
Anderson, Michael, “Kerry James Marshall”, Art Issues, Sept./Oct.
1992 McWilliams, "Go Figure", Washington City Paper, Nov. 12
Tate, Greg & Arthur Jafa, “La Venus Negra”, Artforum , Vol. 30, no. 5, p. 90, Jan.
Dain Bosworth Art Collection, Catalog, Los Angeles, CA, March
Tate, Greg, "Basquiat, The Retrospective," Whitney Museum of Art, New York, NY
1991 Mc Kenna, Kristine, "Mixed Media Homage to a Black Martyr", LA Times, March 15, Sec. F, p. 25
Agalidi, Sanda, "Kerry Marshall & Christopher Warner at Koplin Gallery", Visions Art Quarterly,
Fall, p. 42, Vol. 5, no. 4
1986 Muchnic, Suzanne, "Only in L.A. Presents an Ethnic Diversity", LA Times, Thurs., June 19
Richardson, Elizabeth, "A Fruitful Diversity", Artweek, July 12, Vol. 17, no. 25
Zimmer, William, "Nadine DeLawrence Maine and Kerry Marshall", NY Times, Sept. 26
Drohojowska, Hunter, "Equal-Opportunity Exhibit Misses An Artistic Point", Los Angeles Herald Examiner, Section E, p. 4, June 29
Mora, Dario, "Review", L.A. Opinion, July 16
Brown, Kay. "Where We At- Introduces Art Couples In Muse Show", Amsterdam News,
p. 23, July 21
Kennedy, Shawn G., "For Fledging Artists, A Place To Grow", New York Times, June 18
1985 "Are You Washed", Artweek, April 13
Wilson, William, Review, LA Times, March 29
Gardner, Colin, "The Mystic Ambiguity of Kerry Marshall", L.A. Reader, April 5
Review, L.A. Reader, May 3
Razilli, Yoelli, "Review", Israel Shelanu, May 17
Brown, Kay. "Where We At Introduces Art Couples in Muse Show," Amsterdam News,
Page 23, July 21
Gardner, Colin, "A Survey of Ten Emerging Artists", L.A. Reader, Oct. 26
Clothier, Peter, "Kerry Marshall", LA Weekly, May 3
Wolf, Leslie, "Seventeen Self-Portraits", L.A. Weekly, March 16
Gardner, Colin, "A Survey of Ten Emerging Artists," LA Reader, Oct. 26
"Seventeen Self Portraits," LA Weekly, March 16
Clothier, Peter, "Kerry Marshall," LA Weekly, May 3
1983 Pinkus, Robert, Review, The Los Angeles Times, Fri., Oct. 14
Starr, Lori, "Thoughts and Dreams", Artweek, Oct. 22, Vol. 14, no. 35
Wilson, William, LA Times, Friday, Oct. 14
1980 "Spotlight on Three L.A. Artists", LA Times, Jan.

PROFESSIONAL EXPERIENCE:
1997 Writer/ Director, The Doppler Incident, sponsored by the Brooklyn Academy of Music,
The Kitchen, NY, NY
1991 Production Designer, Prairie House, Julie Dash, Director
Production Designer, Hendrix Project, A. Jafa, Director
1990 Production Designer, NUNU, Hiale Gerima, Director
1989 Production Designer, Daughters of the Dust, Julie Dash, Director

MUSEUM AND PUBLIC COLLECTIONS:
Addison Gallery of American Art, Andover, MA
Aldrich Museum of Contemporary Art, Ridgefield, CT
Arkansas Art Center, Little Rock, AR
Art Bank Santa Monica Arts Commission, Santa Monica, CA
Art Institute of Chicago, Chicago, IL
Baltimore Museum of Art, Baltimore, MD
Birmingham Museum of Art, Birmingham, AL
Columbus Museum of Art, Columbus, OH
The Contemporary Museum, Honolulu, HI
Corcoran Museum of Art, Washington, DC
Crystal Bridges Museum of American Art, Bentonville, AR
Dain Rauscher, Minneapolis, MN
Denver Art Museum, Denver, CO
Federal Reserve Board, Birmingham, AL
General Mills, Minneapolis, MN
Hallmark Cards, Inc., Kansas City, MO
Harvard Art Museum, Cambridge, MA
Johnson County Community College, Overland Park, KS
Laguna Art Museum, Laguna Beach, CA
Legler Branch, Chicago Public Library, Chicago, IL
List Visual Arts Center, MIT, Cambridge, MA
Logan Collection, Vail, CO
Los Angeles County Museum of Art, Los Angeles, CA
Loyola Law School, Los Angeles, CA
The MacArthur Foundation, Chicago, IL
The Metropolitan Museum of Art, New York, NY
Microsoft Corporation, Redmond, WA
Mobile Museum of Art, Mobile, AL
Museum of Contemporary Art, Chicago, IL
Museum of Fine Arts, Boston, MA
The Museum of Modern Art, New York, NY
Nasher Museum of Art, Duke University, Durham, NC
The National Gallery of Art, Washington, D.C.
Nerman Museum of Contemporary Art, Overland Park, KS
The Nelson-Atkins Museum of Art, Kansas City, MO
The Norton Family Foundation, Los Angeles, CA
The Orlando Museum of Art, Orlando, FL
The Principal Financial Group, Des Moines, Iowa
The Progressive Corporation, Cleveland, Ohio
Rennie Collection, Vancouver, BC
Rockford Art Museum, Rockford, IL
Rubell Family Collection, Miami, FL
San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA
Sheldon Memorial Gallery, Lincoln, NE
Sprint, Overland Park, KS
Smart Museum, University of Chicago, IL
St. Louis Art Museum, St. Louis, MO
Studio Museum in Harlem, New York, NY
University of Arizona, Museum of Art, Tucson, AZ
Wadsworth Atheneum, Hartford, CT
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Yale University Art Gallery, New Haven, CT

CORPORATE COLLECTIONS:
Mc3D, Chicago, IL
The Principal Financial Group, Des Moines, IA
The Progressive Corporation, Cleveland, OH
The Mac Arthur Foundation, Chicago, IL
Peter & Eileen Norton Family Foundation, Santa Monica, CA
Lewis Manilow Foundation, Chicago, IL
Dain Bosworth Inc., Los Angeles, CA
Pearl C. Woods Gallery, Los Angeles, CA
The Norton Family Foundation, Los Angeles, CA
Dain Rauscher, Minneapolis, MN
Federal Reserve Board, Birmingham, AL
Sprint, Overland Park, KS
Microsoft Corporation, Redmond, WA
General Mills, Minneapolis, MN

Additional Media

*

Exhibition Shots: Kerry James Marshall

For more information or photos please call 310.836.9055
or email: info@koplindelrio.com

Gallery hours: Tuesday - Friday 10:00 - 5:30
Saturday 11:00 - 5:30


Artist Conversation: Peter Zokosky & John Seed
Saturday, July 26, 4pm
John Seed's new book will be available for purchase
Please RSVP by Wed., July 23rd.